Late last spring there came a point when the weather was so snowy and cold that my research on the history of art and architecture was a standstill. I just couldn’t get inspired to write. Luckily serendipity (and Foldscope) intervened. I rediscovered my own intellectual curiosity about the built environment by teaching people about the natural world instead.
Because my partner Matt is a long-time Foldscope user, our apartment is generally inhabited by a number of tiny creatures and plants in jars, waiting to be photographed and then released. (You may have even read some of his Microcosmos posts about them before). I enjoy seeing his experiments but had been content to be their audience rather than a fellow researcher for a long time. My own hobbies include working with paints and fabric and doing studio visits with artists.
However, each spring my university sponsors the MSU Science Festival to draw people of all ages to demonstrations and interactive workshops, and Matt applied to teach a nice, long seminar on microscopy to a small group. The university enthusiastically accepted the proposal—and slated him, instead, for two half-hour workshops of up to a hundred people on one Saturday, and a second implementation at a museum the next weekend. Matt needed a sidekick to accomplish this so I, er, “got volunteered” to volunteer. That meant I had to very quickly become not just a Foldscope fan but a qualified instructor. ( Yikes! ).
My primary job is teaching digital technology to history and anthropology students. In my lab we encounter a range of interests and skill levels when teaching web design or interactive maps, so I knew teaching a microscopy workshop would be similar in that sense. It was pretty similar, with two significant exceptions—the underlying force for all attendees was curiosity (no grades or assessments, hooray! ) and we had only thirty minutes to teach people something new that they could take out into the world.
To be honest, I had a hard time learning to assemble the microscope and was afraid that I would not be much help in the workshop. After some initial discomfort, though, I enjoyed encountering the “beginner’s mind,” by being open to new possibilities. It’s a phrase that originated with Zen Buddhism and is now used in teaching martial arts, an area where people are expected to take risks by incrementally learning new moves through repetition. We use that strategy a lot in teaching digital technology in my lab as well. The concept is nicely articulated by Software Carpentry (a pedagogical initiative used to teach computer programming) that when someone has recently been at the beginner level they might have particular insight that a seasoned pro will have forgotten over time. They call the forgotten part the “ expert blind spot .” In this sense, people who are new to microscopy might have particularly useful skills for teaching it—those of us who are just learning might be someone’s ideal instructor that day.
Matt focused the workshop’s lesson on the concept that both art and science rely on people seeing the world in new ways. I’m an art historian and had just finished a big, years-long project for my PhD. In it I studied large-scale images—paintings on walls and ceilings—that surround and sometimes even overwhelm viewers. Taking photos through a Foldscope was the exact opposite—discovering images so small that they could be easily overlooked. In fact, I was the one overwhelming and surrounding them .
Since the workshops, I’ve enjoyed getting to see the world and my own art projects from a new, microscopic vantage point. Inspired by Ronak Hati’s post examining the RBG lights on a computer screen, I turned a fresh eye to the materials I use in my work. Under a microscope, the natural fibers in textiles show neat patterns with endless variations. Below, four microscopic images of a precisely woven white linen fabric scrap look like charcoal drawings; the organic threads are irregular and unpredictable, like sketched lines.
I even persuaded the cat to donate a stray whisker and some loose fur. She, along with all the natural materials on my desk and in my sewing kit, have a new kind of potential for making images and musing on ways the natural world underscores the built environment.
We usually focus on the ways community events like MSU Science Fest engage kids. And it’s true—this was a great opportunity for children to have fun and learn at the same time. I made a point to congratulate them on their good work at folding and looking. But I was most impressed by the adults and teenagers who folded these microscopes with a gleam in their eye. While some of them accompanied kid scientists, quite a few of them were there on their own or with friends, happy to return to being a beginner in order to learn something new.
Workshop Tips
There are many ways Foldscope can be useful for artists, archaeologists, and historians. I encourage anyone who wants to think about materials and nature in new ways to take the plunge. Below are some pointers for people who aren’t necessarily trained as science teachers but who would like to teach with Foldscope. (If I can do it, you can too!)
If you’re in back-to-school mode this time of year, consider ways that teaching a little microscopy can spark curiosity in a variety of subjects, even if you’re a beginner yourself.
For Matt’s synopsis of the workshops, you can read
his previous post
about them.
Many thanks to the Prakash Lab for your support.